Link to Rain Country home pageAbout Rain CountryRain Country Board and StaffJoin Rain CountryRain Country Events CalendarLabor Day Mini-HoedownEmerald City HoedownCuff CountryRain Country DancesRain City Rhythm RidersIAGLCWDC

Dancing with Rain Country
Couples Dances done by Rain Country
Thanks to Rain Country spearheading “community ownership” of the country-western dance scene in Seattle and the greater Puget Sound area, we have one of the broadest sets of couples dances danced regularly anywhere in the country.  At any given dance night, you can dance Two-Step, West Coast Swing, Waltz, Night Club, Shadow, East Coast Swing, Shuffle, and sometimes Cha Cha.
Two-Step: We dance the same style of two-step as done in other GLBTQ clubs on the West Coast, sometimes dubbed “San Francisco-style Two-Step”.  This is danced Slow Slow Quick Quick – with the lead coming on the first slow, most turns being done on the Slow Slow, and there tends to be a strong East Coast Swing influence to some of the moves.
Night Club: Sometimes also called Night Club Two-Step, we dance the Slow Quick Quick style which seems to work best with most country-western songs.
Shadow: Called Buckle Polish in some parts of the country.  This is a variant of Two-Step with both dancers facing the same direction, chest to back, doing the lead’s footwork from Two-Step.  The eternal classic Shadow song is “Black Velvet”.
Shuffle: Also known as Triple-Two, done as Triple Triple Walk Walk.  Shuffle has many similarities to both East Coast Swing and Two-Step, like it’s halway between them.
Line Dances done by Rain Country
Any of the following dances are or have been done frequently enough that our DJs will be willing to play the dance during a dance night witht he assurance of being able to have at least a handful of dancers doing the dance.  (Not all of our DJs have the same music, and any of them might not have some of the songs listed below.)
Line Dance
Song
Step Sheet
Video
All Shook Up
“All Shook Up” by Billy Joel
Bar Room Romeo
“Romeo” by Dolly Parton and Friends
“You Win My Love” by Shania Twain
“Here for the Party” by Gretchen Wilson
TBD
TBD
Barn Dance / Wild Wild West
“Wild Wild West” by Escape Club
TBD
TBD
Bayou City Twister
“Dance (Club Mix)” by Twister Alley
TBD
TBD
Bomshel Stomp
“Bomshel Stomp” by Bomshel
TBD
TBD
Boot Scootin’ Boogie (aka Vancouver Boogie)
“Boot Scootin’ Boogie” by Brooks & Dunn
“Boot Scootin’ Boogie” by Asleep at the Wheel
“The Bug” by Mary Chapin Carpenter
“These Boots are Made for Walkin’” by Billy Ray Cyrus
“Good Time” by Alan Jackson
Cc Shuffle
“Bing Bang Boom” by Highway 101
“I Ain’t No Quitter” by Shania Twain
Chill Factor
“Last Night” by Keith Anderson
TBD
TBD
Chompin’ at the Bit
“Ooh Ahh (Just a Little Bit)” by Gina G
“Up!” by Shania Twain
Circle Jerk
“Sooner or Later” by Eddy Raven
“Sooner or Later” by The Forester Sisters
“Big Boned Gal” by k.d. lang
TBD
Coastin’
TBD
TBD
TBD
Cowboy Cha Cha (couples)
“Neon Moon” by Brooks & Dunn
“Never Giving Up on Love” by Michael Martin Murphey
“Blue Rodeo” by The Bellamy Brothers
TBD
TBD
Cute, Cute, Cute
“Brand New Girlfriend” by Steve Holy
Dance Ranch Romp
“Baby Likes to Rock It”
TBD
TBD
Dizzy
“Dizzy” by Scooter Lee
Easy on the Eyes
“Easy on the Eyes” by Terri Clark
None
Funky Country
TBD
TBD
TBD
Georgia Winder
“Mexico Road” by K.T. Oslin
“Who Wouldn’t Wanna Be Me” by Keith Urban
Ghost Train
“Zorba’s Dance” by LCD
Hanky Panky (aka Slippin’ and Slidin’)
“Hanky Panky” by Madonna
TBD
TBD
Hold Your Horses
“Hold Your Horses” by E-Type
TBD
TBD
Honky Tonky Twist
“Honky Tonky Twist” by Scooter Lee
TBD
TBD
I’m Movin’ On
“I’m Movin’ On” by Rascal Flatts
Mambo Shuffle (aka Sex on the Beach)
“Live, Laugh, Love” by Clay Walker
Midnight Waltz
“Saturday Night” by Billy Dean
“The Children” by The Mavericks
…plus many other waltz songs get used spontaneously
MMMBop
“I Will… But” by SHeDaisy
TBD
TBD
My Maria
“My Maria” by Brooks & Dunn
Oil Can Slide
“That Kind of Girl” by Patty Loveless
“Downtown” by Dolly Parton
TBD
Reggae Cowboy
TBD
TBD
TBD
Roll Back the Rug
“Roll Back the Rug” by Scooter Lee
“Ride That Train” by Mel McDaniel
TBD
Scotia Samba
TBD
TBD
TBD
Second Chance Waltz
Saturday Night” by Billy Dean
“I Don’t Want This Song To End” by John Michael Montgomery
She Bangs
“She Bangs” by Ricky Martin
Show Me Wot U Got
TBD
TBD
TBD
Simplemente (aka Heaven Sent)
“Simplemente” by Chayanne
Slap Leather
TBD
TBD
TBD
Soakin’ Wet
TBD
TBD
TBD
Southern Cross Cha Cha
TBD
TBD
TBD
Tailgate
“Tailgate” by Neal McCoy
Tease
“Fishin’ in the Dark” by Nitty Gritty Dirt Band
“Whose Bed Have Your Boots Been Under” by Shania Twain
“Last Name” by Carrie Underwood
TBD
TBD
Texas Cha Cha
“Dance the Night Away” by the Mavericks
“He Drinks Tequila” by Lorrie Morgan and Sammy Kershaw
“Two Piña Coladas” by Garth Brooks
“Shiftwork” by Kenny Chesney and George Strait
TBD
TBD
Thunderbolt
TBD
TBD
TBD
Tumbleweed
TBD
TBD
TBD
Tush Push
TBD
TBD
TBD
Uno Dos Tres (aka 13 MWZ)
“Maria” by Ricky Martin
Walk the Line
“Whose Bed Have Your Boots Been Under” by Shania Twain
“All Tuckered Out” by Clint Black
“Sin Wagon” by Dixie Chicks
Walkin’ Wazi
“Cadillac Red” by The Judds
TBD
Waltz Across Texas
TBD
TBD
TBD
Watermelon Crawl
“Watermelon Crawl” by Tracy Byrd
Wave on Wave
“Wave on Wave” by Pat Green
Where’s Amarillo?
TBD
TBD
TBD
Working It
“Ooh Child” by Daryl Hall & John Oates
“Suspicions” by Tim McGraw
We are always interested in finding great new songs as alternates for ones we already use.  If you have a song to recommend, let us know!
There are also a number dances known only to a few of our dancers.  Our Wednesday night and 4th Saturday dances (with their Line Dance Explosion session) are times our DJs would be happy to play these, even with only one or two dancers on the floor.  Some of these include: Cheyenne, Cotton-Eyed Joe, Crossing the Border, Enchantment, Happy Hour, José Cuervo, Loosen Up Your Buttons, M.L.D., Matador, Mucara Walk, Queen’s Waltz, San Antonio Stroll, Tahoe Kick, and Whiskey River.
Dance Floor Etiquette
Here is a partial list of Dance Floor Rules that we work with in Rain Country:
  • Direction of dance is counter-clockwise for dances which travel.  Do not stop, back up, or dance against the flow.
  • Slower and newer dancers should use an inside lane, and faster or more experienced dancers should use an outside lane.
  • If swing or line dancers are on the floor during a progressive dance, they should stay to the center of the floor.  Progressive couples dancers should not cut through the center of the dance floor.
  • West Coast Swing couples should choose slots in the center of the floor first and then the corners, leaving a lane for progressive couples dances.  Only if there is no room elsewhere on the floor should slots block that dance lane.  Similar expectations hold for Night Club and Cha Cha couples.
  • Our DJs will usually announce dances like West Coast Swing, Night Club, Shuffle, and Cha Cha.  When a dance is called, dancers of that style take priority.  If there are enough dancers that a lane can not be left for Two-Step, Shadow, and so forth, then dancers of those other syles should leave the floor to the called dance couples.
  • Similarly, if a line dance is called, line dancers “own” the floor for that dance.  Only when there are only a handful of line dancers on the floor should couples dancers feel free to use an outside lane.  (Remember that some line dances move a lot and even a small number of dancers may end up in an outside lane of the floor.)